• 5 valves (4 piston, 1 rotary, all right hand)
• Nickel-Silver inner and outer slides
• Corrosion-safe gold brass leadpipe
• Stainless steel pistons
• 5th rotary valve mechanism with spring guided 3B linkages
• One-tone and two-tone slide for the 5th valve
• .748” valve set bore, .827” 5th valve bore
• 16.5” standard throat bell

• 5 rotary valves (right hand)
• Nickel-Silver inner and outer slides
• Corrosion-safe gold brass leadpipe
• Rotary valve mechanism with spring guided 3B linkages
• One-tone and two-tone slide for the 5th valve
• .748”-.827” Graduated bore
• 16.5” Large Throat bell

• 6 rotary valves (4 left hand, 2 right hand)
• Nickel-Silver inner and outer slides
• Corrosion-safe gold brass leadpipe
• Rotary valve mechanism with spring guided 3B linkages
• Two slides (7/8 and 9/8 tone) for the 5th valve
• 2nd valve slide trigger
• Second exchangeable leadpipe – Reversed slides
• .748”-.827” Graduated bore
• 16.5 Large Throat bell

• JBL Classic Edition
• 5 or 6 rotary valves (4+2)
• Nickel silver inner and outer slides
• Gold brass body and bell
• 3B spring guided linkages
• .748”- .827” graduated bore
• 16.5” bell

PT-62

Model PT-62 is a cushion-rim version of model PT-60. It is well-suited to extended lenght solo performances or long recording sessions. It is recommended for players iwth large lips, or for those players who wish to reduce stress on the embouchure during heavy sessions.

Model PT-64 provides a lively and exciting sound with a clear core and excellent fro the F and Eb tubas, giving great power and a commanding nature for solo performances with large accompanying ensembles, or for use in executing the high-range orchestral literature. This is one of the most popular F-tuba mouthpieces ever offered.

PT-68

* CUP CHARACTERISTICS: 32.5 mm. diameter - Moderately deep, very rounded at the bottom.
* RIM CHARACTERISTICS: Width 8.0 mm. - Rounded inner and outer edges.
* THROAT BORE: 8.0 mm.
* Model PT-68 is a high dynamic range mouthpiece with an essentially bright sound. It gives great power and a commanding nature to the F-tuba, especially for solo performances with large accompanying ensembles.